GREY NOTEBOOK
06–01–2016 TO 03–04–2016
Wednesday 6 JAN 07.51
you're lying on your back. its over-cast. whitish grey. a black bird crossed the roof window twice, once from the right. once from the upper left: closer, larger, in an arc. a crow. the lower sheleves on the left are bare. the wall's wet. you took the books off the shelves. water must be coming in from outside. it s a strange pattern of wet and damp patches. the roof doesn't seem to be leaking. when it s light you'll have a look from outside. planes in a sequence with a short gap between. the sky is lightening toward grey white, with a lighter area in the lower right hand corner. ofg books and files
stacked up. blue mushroom boxes of equipment. another bird crosses the window. condensation distorts the image – you don't know what it was. the picture of a boat on Lake T'ung Ting reminds you of Tu Fu. Tu Fu went there and looked out over the lake from the tower. he describes the meeting of the water and the sky. on Christmas day you told somebody about you[r] proposal to visit the places Tu Fu visited and weep, as Tu Fu wept to near the end of his life when he went to the[o]se touristic places. he describes how he would climb the steps from the bottom of the tower. finally arriving at the top he would look out at the view. as he climbs togoe up the viewing platform of course the text flows down the page, in
A Little Primer of Tu Fu by David Hawkes. as he surveys the scene he has waited so long to see, he find he is weeping. he thinks of the disastrous state of the territory, as he sees it, his . own isolation and failing health. a big plane crosses silently. all these things combine,for Tu Fulooking outover the water and the sky. towards the horizon over the landscape. the famous meeting of water and sky two bodies of water and the sky.＊ the person you were speaking with nodded she was quite old herself. she was an curat pers etit-or from Hong Kong.
＊ Tu Fu: Climbing the Yo-yang tower
by the water at Tung-
T'ing ⇾ notebooks
⇾ Autumn 768 11 MAR 2008
LOUGHBOROUGH FARM 6 JAN 2016
sat 23 wassail at the farm
poster
?
.
A4 + A5 pruning workshop
Sam? by Monday
SUN 14 FEB Haiku workshop
market ⇾ 1st sunday
southwell 1st SAT fo the month
growing session
10–12
– adaptors
– gabion
– atm
+ liaise 1357
‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾
vegetable crops x 50
poster
stephanie who runs the
'allotments' at Styles
Gardens
pekingpolly@hotmail.com
‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾
LIFT , islington , youth
centre
[ parkour – Kirsty ]
Tiny Parham 1920s jazz on
hot club du monde
(Resonance FM)
Dave Paul – tree planting
officer, Lambeth
Ian Leonard
Jan Hendrickse – his
son plays(TAL)bass + does elect-
tronics – at Goldsmiths –
? creative computing course ?
Club inégale – venue
Institute of Composing
‾‾‾‾‾‾‾‾‾‾
Digital Catapult Center
101 Euston Rd NW12RA
⇾ top floor ⇾ Connected Products
Studio
Ben 07896257290
‾‾‾‾‾‾‾‾‾‾
23 JAN 2016
Wassail– out to the green wood
Lough Wyck to cut brooms –
Gardens – Loughbor- green brooms
ough Junction
[will you marry a
lady in bloom
you're listening 20.30to a pianist playing with a damaged arm. at the before beginn
ing the 24 preludes of Chopin and again before beginning ꞈto playa series of piences by Scriabin, the pianist ______ ______ held out to the side and then protectively touched his right upper arm , sugg- esting he was in pain. it was stiff or troublesome. in the course of the 24 chopin preludes, – - even at more than on[c]e point again touched and flexed his right upper arm, w ve[r]y slightly a[n]d at one po[i]nt winci appearing to wince, as if in pain. during the Fantasie _______ by Scriabin he would periodically allow the right arm to fall to the side and hang straight down, even resting on the ed[ge] of [the] se[a]t, giving the impression of an injured bird, perhaps
the sense of a damaged pianist accumulates. until the end when the pianist shows relief.
‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾
Stephen Downes
(mooks etc)
‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾
27 JAN 06.06
the first plane goes over. p is awake, sitting up in bed typing. xxxxxxx Sm and Sasha are awake downstairs, lying on their beds. you were lying thinking about how to fix pallet tops to posts to make a fence.
for 3 days you were working in the garden planting trees. time passed quickly. the weather was warm. you planted a medlar and a mulberry and dug a hole for a cherry. kersley is coming
later today to put cork insulation in the loft. you will ask if he can break up the slab where the other bomb shelter used to be, and xxx put up a new fence. the old fence is rotten, at the base especially. you cleaned out the chicken run and base of the fence looked rotten and damaged to where a fox could get in. you really need to replace the fence all the way down to the end of the chicken run by the apple tree.
Alexander Melnikov came to the end of his concert and then he came back out. he was standing by theꞈblack Steinwaypiano, between two larg framed by the heavy wooden doors and the symmetrical floral displays on stand wooden stands at flanking the stage at the Wigmore Hall. he raised his hand for quiet. then he
said, a few days ago, somebody you haven't heard of died. this person you haven't hear of, was he said, was _______ _______, an expert on Scriabin, who had researched and compiled authoritative editions based onall the Scriabin manuscripts, and even undertaken to reconstruct Scriabin's piano, you think he said, or some similiar task which he, Alexander Melnikov, described as an engineering feat. now this Scriabin scholar had died at the age of 92, just a few says before this concert of Chopin and Scriabin, played by Alexander Melnikov, on whom, he said himself
this leading interpreter, and perhaps the world's primary interpreter of Scriabin, of his generation, for whom, as [he]
said himself, standing by the black Steinway at the Wigmore Hall, the inf role of ___ ___ had been instrumental. He was not a particularly nice man. That is what Alexander Melnikov said, standing there on the stage after playing the 24 Chopin Preludes followed by a Fanta[i]sie, Deux Poèmes, a Sonata, and several Preludes by Scriabin, which he appeared to play, we can say, as second nature, having played them, as we understand, since and child performed them in public, since childhood. His arm appear-ed to be damaged but once he began to play Scriabin it no longer troubled him or he showed no further sign that it was troubling him – unlike with the Chopin, where it gave
him constant trouble. He was quite a good pianist himself, Alexander Melnikov said, of _____ ______ – there is a CD of him giving a lesson with a student. Before he passes into oblivion, this Alexander Melnik-ov said – those were his words: I wanted to play some-thing in commemoration. Since he was not a nice man, he went on, I am goign to play something he did not like. We used to argue about it, xxxxxx with him talking about its flaws, how flawed and ill conceived the piece was since this piece , which he hated is he disliked and despised is probably could be said to be m is probably my favorite piece by Scriabin. it is a bit long for an encore,
he said. I'm sorry. it's the 9th Sonata number 9. then he sat down andhe played it with the same sober and reserved manner in which he had played all the other music music music, pieces as the musicit alterneted from sparse passages with surprising breaks to ext and harmonies during which he occasionally looked up aboveand him off slightly to his left, as if listening to something in the distance – to long stretches of maximal complexity density and volume apparent difficulty, during which he built up thick layers of sound out of very fast scales and large cluster[e]d chords forming, as it seemed, sheets of alternating varying thickness and opacity. in between pieces [sections], and sometimes while still holding a note, he wiped
his face with a white folded handkerchief which he kept somewhere on the left of the piano out of sight.
Thursday 28 JAN 2016
"self indulgence at Croydon
in fruit"
a sin recorded
by GM Hopkins in
his diaries vol 8
of the Collected Works (OUP) – (readon
Hooting Yard
– 18.30
‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾
solar electric – total export
Mon 010018.5 kWh
1 FEB
2016
2 FEB 2016
Cambria rd metre
readings
electricity in: 08461.6 kWh
gas in: 05939.52
‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾
Loughborough Farm 3 FEB 2016
⇾ community engagement + capacity
building project over 5 yrs
w. eg Esmee Fairbairn
49% your unemployment
_byw.end
Sam:○haiku valentine poster
○ Southwell rd poster late[r]
‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾
death conversations in cafés
Southwell Rd.
2nd Sunday of the
month at 12 pm
‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾
Maria soundcamp AGM 10 FEB
15 Palgrave Road 2016
1st floor
W12 9NB
○ oral history workshop–dates
○ roles towards anniversary events
[curved arrow] + dates
○ waterwheel proposal – confirm
details
○ contacts + comms
○ main dates in 2016
FEB Presences Invisibles
MAR_ waterwheel
end MAR oral history
APR 1 MAY soundcamp
10 May BunB
JUN– JapanDartington
VE1
VE2
JUL/AUG plant + insects
OCT landscape
VE3
VE4
● EF bid – how\\when to develop
nbsp; nbsp; nbsp; it?
● publication(s)
○ partners eg WLT
○ soundcamps for 2016
○ streamers for 2016
● documentation for 2016 ?
○ artists for London in 2016 ?
13 FEB 2016 13 Feb.
Who's Tony? (Sasha at Turner
Contemporaries, Margate)
[ 2 drawings. 1) bird head with the base of beak and the lores circled. 1) beak]
19 FEB 01.22
last friday and saturday you went to the sea for Sam's birthday. when you came back on sunday you planted a cherry tree and an apricot tree.
you're tired after listening to streams for hourse. go to sleep.
19 Feb 2016
23.57
you're listening to a live stream from Kolkata. it's just before daybreak. 2 birds are calling in response, moving sometimes neare[r] or farther – from the thxx a slightly nasal, raucous whistle rising. they could be owls, you think, calling at the tail end of the night, moving about. it's a peri urban area. during the the second vehicle you've heard pass. crows calling. sparrows. distant doves or pigeons. a third vehicle, quite low. it's a new stream by the Travelling Archive, ver, vivid and spatial, it's something! Sukanta is using the Pi
streambox with the Wolfson card you gave him whien then had the show at Rich Mix. you cried as you watched the video which looped out of synch with testimony of the voice of people talking about the[i]r (lost) home – how they came to England. you were sitting there in that lowered area at Rich Mix, with the sound of processed music from above, pictures of boars and w travel projected on the wall. the measured voices described their loss, their adjustments, their survival, these changes change. in a different
way s or somewhat the same, listening to the sounds of city growing. the city occupied by birds, something revelatory occu is occurring, you thought – was what you meant earlier, then deleted perhaps, every-on[e] arouind you is sleeping and Sukanta and Moushumi, you imagine, are also sleepig &ndash something occurs between those states of suspension – mitten drinnen – o midst ¶ndash; mit – SC on M Serres – the owl, if it is an owl, continues, the crows are
calling brusquely – the crow, a[s] [WH Hudson] writes, with its voice of care – all the crows are crying together now, the owls are above – a long lo plaintive siren or boat horn drawn out across the moving – the pre morning, like the foghorns of ___ Curran, you think the shortly aft th swirls of crows, distant horns growing, a pigeon close, reflecting, it sound[] like, off a curved hollow (palomas redondas) another
long, drawn hoot or note or hoot, attack low, long sustain, pigeons with throaty calls, a vehicle, pigeon again – like rock stock dove – a metallic clash mak – some thing dropping – the birds are flooding the city, their cries and calls rising, even flapping of wings – into the distance: their calls can be heard and imagined clearly tapering away towar from where we are listening: it's a
sheet like slope with ꞈcircular sparrows [continuing across spread] other bird[s] – passerines – occasion-ally in with a melodic short melodic break – over and in: in and abover the sh thick sheet of sounds – the border – the soft, thick border of morning, you could say – between the inner of house, perhaps with the outer of street – the division thickeningened, softened, mad[e] porous, – as the walls of a room in
, dove close, low, throaty –
–
kolkata extending to a street, a city are rendered porous, soft, open – that 'to the ears ear' – some metallic clashes – human people doing something – opening or dropping something , – the dove \ pigeon s up close: throatier, more urgent, owls still nothing like the buhu owls these owls if they are owls, crow[s] sparse, sparrow[s] et all al wider, in a wide thinnish
sheet and a dog starting up – the ba a bicycle bell, clipped – like when the dome of the bell is screwed down tight? the line separating day and night sits right across the microphone xxx on the locus sonus soundmap – a tremulo of horns mid to far – a new double chirp up close, a soiund of beating out – a the[n] a long wailing siren like an air raid siren[s] like an old si[r]e[n] – pigeon overlapping, s crossing,
owls again, a vehicle shifting a honking a twirl of song – some , a snatch – it's becoming less distinct: more mixed up, more layer[]d – it s getting thicker – something new: hight, distinctive harsh timber hard to capture – more birds now if anything than before a more a[nd] more obvious huma[n] sounds: putting down a plastic tub – and another siren it's 00:30 in London – this couild be a from siren in kolkata – in a
factory, pe in a what – thickness is indicated in the way of a wireframe: p some objects locate in the wireframe and the thickness is intelligible a[s] a mesh critically, howerver, open p open : alive. – nor is it a wall (of sound) it is spatial in quality – is is a sweeping, in the yard or street; a bucket; a skirl of song; a bucket handle pinging off the rim; a sweet passage of plaintive
song with a sweet timbre, a crow right up close ear right – again: abrasice: a little chirp fluttering approach with a short call: t·· as if on the window le[]ge right by you – sweeping continues, a nwe stac[]atto call by a a group, a flock, then suddenly like a liquid song o[r] subsong, like bulbul – flaps, trills, U̬ ̬, U̬ ̬ banging, bashing in yard, beating a cloth or mat, then a trolley maybe then a
motorcycle – sweeping continues – this is all imagined below us, below the window, where now actually quite high – maybe the second stor[]y – maybe we are by a second storey window – a bell – so the bell of a bicycle is well below us , coming: up to where we are (listening) (sleeping) –these sounds all enter the ears of the sleepers, they reverberate in the bones : loud crows and a dog howling and they enter directly in the x always already open ear[] –
the dog barking and howling, and the crown, the sparrows constantly – whil all the time a person is sleeping by an open window, by a window – a plane. a plane is going over – you check if its here its not. a plane is passing ove[] kolkata. the first of the m morning, a dog i s barking a howling, somebody is []weeping , somebody is honking a horn, the a contraction is experienced in the depth of the sound
field as these dramatic howls and events open so close and so clearly defined. another dog has joined. dogs barking in a courtyard. their voice[] reverberate. they have gone, you hear them barking drawing away to no almost no th[] very edge of earshot, circling perhaps on the extreme edge to where you half hear half imagine their you hear them – the field open[], a new species enters: single dir-
ect note, uninflected, short, close; quite dry. then dove again and the flap of dove or pigeions ba clapping their winds a kind of pulse is established, it sounds like, the daybreak line ha[] crossed and left the microphone icon on the map, travelling at 400m / sec at the equator – a high urgent piping begi[]n[] then, a it catalysed, a chorus of crows. it's 52 minutes after midnight. a vehicle ascending, you think; a a raucous squack
and scree[]h, strangely melodious, you cannot identify. now footsteps, bells, vehicles close together, metallic plastic and [?] sounds and somebody run[]ing in sandals and a person's voice: quite loud, mid range, saying something – answered later lower; then much higher; a small group of speakers, in the beginning speech to speak, in the mo first thin in the morning, and oth[] voices, quite peacef relaxed. coming up the hill. the voices are lower, in position and pitch, with
th 2 bicycle horn[] coming up ot of that zone. and birds above. the owl, if it is an owl, like a little owl, calls again. then a repeated note which could be a bird or it oculd be a machine. a thick cough. pigeon, crows above, the owl a ,misunderstand – a phase of random sound objects appearing thrown together, th[]n a loud vehicel honking, and a second plane. you imagin it's still early. but the a late[r] phase is entered. ev maybe it's
with bird and animal and machines together. how can you stop listening? a [01:01] – go to the stream drops out briefly. go at 0201 there is a brief dropout in the stream. and you stop drops out briefly. you stop. 01:01
‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾
Bridges for Music Langa,
Cape Town
Uguga Stebe
Bufana (Soweto bird
man)
Send images
○ straw bale building as a sound space (with 1/2 doz walkmen)
○ R will be away: 4 MAR–12 MAR Sunday 27 MAR – Tues 6 APR
○ R to put us in touch with Lindis Cole
L + other volunteers
＊ John Finnegan – humanities @
(sp?) Finigan . the College
Steve Cornish
Kam Hong Leung + his wife
Rotherhithe Neighborhood
Safety Forum
Oral history: Clare
Kate (Walthamstow)
call out to IliveinSE17 (Mark Parker)
poster: the Rotherhithe SHED eg Devon
poster: the library ＊ Martin (bubble)
email p[oster to Steve for Russia Dock
<
Woodlands
‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾
DBS self certified new
soundcamp: security?
cabling to tents
strained wire from build-
ing to fence
: promotion
posters A4
pitched at local resid-
ents
add foraging – Penny
walk [line down]
R to contact
⇾ meeting with
Thomas
Richard randm.pagejones
@btinternet.com
What'sonin
follow Rotherhithe
What'sOn
worginfor
○ ask Michael Glasson about fibre optic cable
14–18 MAY Rio
Performance\
Event
Cornwall – DS
4 x soundcamp
Resonance M.
Stave Hill – Rebeka GS
shifts in what what we
We review our changing expectations about the ways sonic object present themselves
in the terms of the duration
delay erodes common sense ob expectations about o[b]jects
we review effects of the way
whatwe expect andof sonicobjects –
‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾
meeting with Kirsty
○ think about how to show an image of the stream location in the soundtents
kirsty, edp.: Neckinger Estate
Meditation group
＊⃝ send the HLF grant to
Kirsty
‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾
bee equipment shed
[sketch showing internal and external dimension for a small structure]
[pencil] store shed with shelves:
D= 3' x W=5' x h=64"
.91 x 1.52 x 1.625
‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾
KY
clarify: ○ BanoWin Furnoff [?]
○ Liminaria
then share folders of images
credit as: ky lewis and _____
SoundcampMay2015
– confirm which week and when the eval will be
– share the HLF app with
Ky
? pin hole portraits at the Oral Hisotry
event
‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾
coffee van –
line up
‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾
tomatoes sown
Sunday 6 MAR 2016
dates for Becky
theory exam date 20 JUN
break after grade 7 exam on 17 NOV
until mid JAN
‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾
12 MAR 2016 – CAT presentation
ages 13-18
last admission usually at age 16
saturday classes
special projects with guest artist
eg Wayne McGregor (!)
forms: contemp. + ballert (in
a distinctive way)
＊ inc. choreography leading
to mentoring choreographic
projects
fitness, health, physio, nutrition
· performance inc. external
eg last year in Copenhagen
○ towards careers + jobs across
the arts
○ you don't have to know you want
to be dancer or choreographer – can lead to other things
fees: means tested bursary
£ 3649 p.a.
take people with + without a history of formal training
numbers: 120 total
about 40 places each year
– from 200–300 applicants –
can apply again
there are also other ways into
dance!
but 90% go on to further dance training
＊ dance + choreography\ꞈcreativity are of equal importance
there are assessments on the CAT but students are not thrown off the programme – the assessment ⇾ ITP with a tutor – aiming to be a holistic program personal
programme. each student has a dedicated tutor.
emphasis on reflection etc
Nuala
‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾
(Plum
[ Cucumber with (Miso Paste
Grated radish w. wild vegetables
KIM CHI
Boiled Green Soy Beans
Fried Aubergine with Ginger Sauce
Fried bean sprouts
Duck + Spring Onion Skewer x ___
Fried noodles w. pork + vegetables
Prawn tempura
Cucumber Rolls ?
Pickled Plum rice ball]
⎰
⎱
Grated radish + wild veg
Kim Chi – spicy pickled cabbage
Cucumber w. plum paste
boiled green soy beans
?mini sukiyaki
fried aubergine w. ginger sauce
fried bea[] sprouts
green pepper skewer
Spring onion skewer
Shiitake mushroom skewer
duck + spring onion x 3
cucumber rolls
fried noodle w. pork + veg.
mixed veg. tempura
pickled plum rice ball
kelp rice ball.
library closure
Susannah Barnes – head of libraries
– proposal rejected by LA
some experience of sit-ins
xxx ? go after GLL
– a social enterprise which doesn't like 'brand contamination'
archive to stay at front of Minet. but building maye stay open.
possible target or boycott GLL
meeting of 24 MAR w. councillors or
different groups need to stick together
21st Lilian Bayliss
no plan for the archives, which need[] to be kept (statutory)
Defend The Ten (libraries)
Councillors. xx
attack GLL ?
Laura – chair of the Friends
of Lambeth Libraries
event on 29th
2 tories + 1 green
are supportive
(30th is last
day – but
is a WED
and Minet is
closed)
‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾
Tuesday 15 MAR 2016
St James' Church
Thurland R
SE16 4AA
18.00
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heritage@surreydocksfarm.
org.uk
Germander Speedwell
Bermondsey + Rotherhithe Community
Council
15 MAR 2016
○ intensive
dev + re-design
of the centre
— issues around density, height, infrastructure,
○ Southwark Park consultation
incl. for the Fish Pond site
○ Thames Water found a C7th Abbey +
some asbestos
○ Age Friendly Southwark is a significant programme,
w. WHO
recognition:
[Age]
Friendly
Cities
[circles with themes, projects, groups, people, from the meeting]
James (Holt), Gemima, Hugh
⇾ link w. farm
⇾ foraging
⇾ oral history
⇾ biodiversity targets + British Land
Rotherhithe
SHED –
hugh
Jess Leach – community
– looking for volunteers to contribue to documenting experience[s] of living is[n] Southwark [
[oblique lines to]
housing
comms
engagement, Southwark – doing consultation around becom-ing a[n] Age Friendly city
⇾ think about the future of Stave Hill also &ndash wht it can be
participation
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The Big Social Local
person to contact – Ann Clayton
'makes things
happen'
David Hubber – Councillor,
Surrey Docks
we got £1600 from Southwark
Neighbourhoods
⇾
send Marian Farrugia
info on Soundcamp
projects
‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾
Tower Hamlets Cemetery
3.30 Park E3 4PX
nr Mile End ⦵
‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾
Max: train to Cambridge
07.44
leave house at 10 to
7
B3Media Event:
Picturehouse Cinema
Corner of Shaftesbury Av and Great
Windmill St.
Piccadilly, London W1D 7DH
arrive 3.30–3.50
leave 2.30
○Chris Greenhalgh (loc-ation audio)
○ Adrin Hazzard
Andrew Wilson
(wetwe proofing)
‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾
S's laban
sharing
studio 4
5:45
Sunday 3 JULY
Sasha: Horniman show
○⃥ email Peter S re pedro rebelo
– check w CONA, MP
＊○ check Android Locuscast
＊○ Mail potential BunB panellists
＊○ get a 4G router
＊○ chekc in w. Resonance
＊○ paperwork for HLF
○ streambox for Sukanta
○ send press release
○ send london invite
6.30 or 7 this
Canada
House
25 MAR
while you are working in the back yard, a butterfly lands on the apricot flower tree in blossom. the blossom is paler than y ou remember. it's a comma. comma you're break-in up paving. concrete. very fresh and bright in the bright sunlight – the tree with recalling Bashō's journeys to the North to witness trans transient natur-al phenomena: falli[n]g blosso; the moon rising over a certain bay a x famous bay in certain conditions of cloud. it's a comma you will won't forget it.(p). it's a it wa[s] a comma.
Common Ground
[plymouth]
archae-
ology
‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾
email M Glasson
4G router – buy
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Tuesday 29 MAR 2016
05.29
you're lying in bed on you[] back. a place goes over. the sky then another on. quite hight. not too loud. the sky is orange white. still drk. everyone's asleep. the air feels quite warm.
06.01
you were reading. you d[]dn't notice th[] sky turn[]d
blueish white and started to lighten. you heard a bird then a
lower, heavier to plane. the sky is mottled
with dark patches of clouds quicklymoving and xx changing shape. it contrast[] with the roof window con (landscape). contrasts with the bright line pa notebook (landscape) on which the planes oddly appear, whereas the window is empty shows only cloud. you hear a cat from down at ground level – all above your head as you lie on your back.
kangoo Error
Codes
504A (stayed)
603D (came + went
603E came, went + came
back
‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾
workshop equipment
[entries progressively indented R]
ꤶ router – minijack⇾
ꤶ extension cables phono
ꤶ velcro straps
ꤶ coffee ꤶphone
ꤶ tea charge
＊⃝ milk
ꤶ biscuits?
ꤶ recorders
ꤶ projector + cables
ꤶ fur rubber bands
ꤶ microphones
ꤶ audio extension cable
ꤶ amplifier and speakers
ꤶ cables incl. HDMI
(Thames Discovery
maritime archaeologists)
|
Andie Byrne russiadock
blogspot
re-send OH flyer to Germander
S
Mike Reardon – Bermondsey +
Rotherhithe Local
[Stephen Humphrey – local history expert]
＊ Southwark Local History Archive
– Harvard Library (Borough)
group of 6
⇾ copies
FARM\SDCAS
6 APR – intro at the Peckham site
14 MAY Surrey Docks Farm
10 SEP Harvest Fest
17 SEP Capel Manor
3 DEC Christmas Fair
green mentor–
SDCAS have a minibus
Carys does work w young people
young farmers 10–14 years
green fingers: – (hangout)
[angle down/R] Sundays
⇾ flyer
cc Catherine in –
– google grants
‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾
katie.edwards @
brunel-museum.
org.uk
Jeff Howard (photo–
grapher)
antiraids@riseup.net
PROCESSING – application to
make visual
art
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see > Brockwell Park oral
history project
> Hatton Gardens audio trail
(23 MAY end)
○ Brockwell Park oral history
○ foundling museum – family
○ Brixton windmill voices
Humans of New York
○ Soundwalk (NY – you can
follow trains w.
interviews
Diamond SIApp
Museum of London – Underneath the
Arches – exp[]oring the history
of social spaces.. E London
verbatim theatre
M11 link road
stimuli for talking: shoes, hair
singing, photos
> facebook pages on this area
smells
79 people
John Harvard local library
＊ Alessandro Portelli The Oral
History Reader
how to foreground the present
moment of recall,
construction
PatriciaDark@JohnHarvard
Grey inner cover