BROWN NOTEBOOK
09:43 24–11–2021 TO 22–02–2022
what do you study? what do you try to learn? to make useful objects, it used to be, you tried to make a fine finished object that people would admire. nowadays, your study and what you try to do is to make some kinds of unfinished objects – unresolved and needing to work – in the hope somebody can take and adapt them and put them to use, you think that's what you're always doing
think of the ontological hysterical theater – how Richard Foreman made all those text[s] available – without further ado – for ppl to do (some)thing(s) with
09:56
you reached to put your notebook in your pocket but you weren't
wearing any trousers. your mind is a messy patch, you think. well, composting is the metonymn of these times, you think, with M. Puig de la Bella Casa – go out in the air. put that bird seed in a bowel [bowl]. you can do the application later. p is in clinic – and soon in Tanzania. you will need to look after things with S and S. it's cold. you put on a heavy sweater.
ol!veDesign38 [Copleston password‐
doesn't work]
20:29 28 NOV
you're in trouble now. you're lying on your back – really down. every time you have to write one of these applications dispirit overtakes you. slowly creeping up it finally overwhelms you. dark and cold is your environment – plane flying over. slowly in the cold moving here and there – parasitic on the earth.
you think of those cave salamanders by the lake Cerniza – living in suspended animation, Grégoire said – they do not reach the last stage of metamorphosis – they retain their gills – like tadpoles – indefinitely. these animals impress you by their patient endurance – all incomplete – that book is sitting on the desk – all the time you are writing an application – over and over – with an uncertain outcome. if it succeeds, you think – that application – the burden imposed on the earth will be increased. tirdeness weighs and talking tires you. ppl are planning their projects. p leaves tomorrow for Nairobi to develop a project. S is planning to go to Glasgow to study. christmas sits ahead provoking unease a year ahead. the present is evacuated. you missed CD's performance. time turns futilely without grip
[in pencil] 20:54 28 NOV 2021
⇾ use Mezcal for SC meetings to test it. then use it for Tsonami
5 DEC 2021 00:14
you're lying on your back. rain is falling across the roof – dispersed staccato sounds at different un-tuned pitches – different size dots with slight blur. the snow fell in The French Dispatch – before the police arrive – different sizes and depths of flakes differently lit – almost as if animated and conversely: not animated – an enactment of an exemplary plurality – no 2 snowflakes are the same, we're told. is it true? they don't seem the same falling – they are not the same – is it a statement about logic and identity? weariness with old logics – that protester jumped out the window – although Wes Anderson shows the
old respect – he leaves them with some dignity, it seems – face to face with young with their smooth faces so full of juice – you went with sasha. some of what the character Zefirelli wrote was illegible due, you both noted, to what that journalist called: bad penmanship. it was cold. police. trains working on the track by the junction, making long hoots. you heard one on the camberwell stream before you left – long, with a sound of air escaping – almost breathy – resonating off architectures or the some other way: tailing off with a long decay. rain on the roof windows. P arrived in dar es salaam last night. she's staying at the Courtyard Hotel. you imagine her in the garden there – some approximation: pierre is hear [sic] – covered in rain. why
do you write about what you write about, the anchorman asks the james baldwin character – xx a question you must never ask somebody: 'why' is the response. I will answer your question, the james baldwin character says – out of weariness. a motorcycle is heard passing, out in the rain – which is heard as afinehiss now, if at all
20:22 6 DEC 2021
app edits
○ move start date to 21/2 and
adjust first activities
00:12 8 DEC 2021
you watch a q and a on dafilm with Kazuhiro Sodā. of everything Sodā says is right. Sodā's working method – following the 10 rules (commandments) of method
he developed or derived from his – – this working method is everything you would want for your own method. at the same time it is the opposite of your actual method – mired in applications – the very opposite of the freedom Sodā values – after working all that time for TV. at the end Sodā is asked about the films he likes. he mentions 2 films. the director of those films turns out to be the director of the film: Letter – a film you saw – one of those films you see and cannot find again, and,youalways think: that film is the most extraordinary film youhaveever seen. It is by Sergei Loznitsa.
you were meant to speak with P but she did not appear
at the time Sasha set up. either a power or internet issue of[r] something has happened. you hope you will connect with her in the morning. S and Sasha went to sleep. it's dark. during the day they are running a generator next door. work started on the pub. it gets on your nerves. you listened to Sukanta Majumdar's streams from Kolkata. h extraordinary long train horns. Sukanta plans to move away from Chittaranjan Colony this month. the stream will end. the most stable and constant streams end. another one will come, perhaps. the field of the stream is ephemeral as you know. somebody listening at earth.radio heard a pulse which they couldn't place: whether
it was their heart or something on the stream. soft sounds in warm air. an essay on air – compression, expression, exchanges... your breath – is involved and your– hea[r]t hesit- ates
‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾
Customer service –Coop
Bank
Sehar
0345 721 2212
emphasize fundamental stuff
credit tech hub
the last week of JAN
⇾ Chris
1000 splendid suns
Agustín Fernandez Mallo
20:17 15 DEC 2012
you hear that Dan Gillis has died. you think of that quirky smile he had drinking whisky – his quiet voice with a wide range – rising and falling, speeding and slowing
you think of streams as memorials in places people have lived – place[s] people have been lost – not their voice so much – the envelope – in which they were them, leaving traces
charlie is holding an auction in memory of Anne Catherine now in support of art work with Southwark Day Centre
for Asylum Seekers
CATS NEXT DOOR
from 23/24 – 4th JAN
dry food all the time
1 sachet silver for Mario each
time
+ half sachet for Fudge (under
the
– Anna has keys table)
06:45 20 DEC 2021
make time not work
– fires control computers
○ Manuel de Lagos tickets
Barbican FEB
Shabaka @the Barbican
stormboard – recycled board
reworked – recycling innotion
Lenovo thinkpad
ea ezysniper
Yemi Awosele
~~
00:39 31 DEC 2021
on 10 MAR 2021 you lear[n] that Georgia Sagri had been on hunger strike for 10 days, in solidarity with hunger striker and prisoner Dimitris Koufontinas.
'Bodies, in the simple, sincere and genuine nature of their practice, are inherently present in the meaning of self-governance and self-determination. They are the crucial elements of artistic
practice as well as of the political act.
'My own participation in this struggle aims to put my body next to a human who turns his body into the ultimate weapon against authoritarianism and inhumane state violence. As Dimitris Koufontinas is between life and death I choose to end my hunger strike so that I can now meet with everyone else still fighting in the streets against against this government's arbitrariness.'
Georgia Sagri: Stage of
Recovery
p140-142
00:40 1 JAN 2022
you went to a demo at Brixton prison. after standing at you stood by the entrance beating pots and pans. s played the melodica. p hit a big steel soup pot with a rubber mallet.
hkw hit a small saucepan with a wooden spoon. you made a recording 2 ex-prisoners made speeches, hten somebody from Unite made a speech. after a while, somebody with an amplifier on wheels led the group off around the perimeter of the prisona – an following along its hight smooth brick walls. a block of flats faces the prison across a road along one wall. people could be seen through the lighted windows or on the balconies or the fire escape, watching the group of protesters walking chanting, carrying a long banner and a small sign. you came to an area with tall gates clad in corrugated steel sheet. everybody started to xx kick the gagtes, making a xxxxx loud clangs. the gates were push-
ed open – it seems they were not chained shut. you entered a yard with gravel on the ground, facing a further wall, with the prison building rising above on the other side. the yard concentrated the sound. more people arrived. it got louder. you started to see people at the windows and hear them making sounds back – shouting or beating on the window bars. after a while some prison security arrived and told you to leave the yard. they locked the gate and stood in front of it. you heard about this demo from hkw, who was told about it by the jester from COP26, who came on As if radio.. it was called by Prisoner Solidarity Network, London.
| SCHEDULE | |||||||
| MON | TUESDAY | WED | THURS | FRI | SAT | SUN | |
| MOR NING | write | sc | write | sc | write | house | house |
| AFT ER NOON | write | sc | project | sc | project | action | house |
ticket code for tickets > downham
market
JT26 BXW2 Littleport
Parkers 01353 860111
Anglia 01353 863877
Littleport 07495 768 906
return: 18:17 -> 17:45 pickup
06:54 2 JAN 2021
planes fly over the house in a continuous series. the sounds of the planes are not steady or predictable. as one is ending, the next one begins. each engine has a different modulation as it drives the plane forward – from high to low. th[] high sounds recall steel turbine[] or circular saws. the low sounds recall drill bits. a sense of biting into the air in flight. then the sound of impacts being dispersing in long rolling waves.
the house sits in partial
darkness – orange, black, grey.
|| you watched James Baldwin being filmed by Terry Dixon. he didn't want to be in the film Terry Dixon had in mind. he disrupted it. you don't know anything about me, he said. but I know something about you. all those different people in the street – you are those people, he said.
what do you say to those people who say you have escaped? to Terry Dixon asked James Baldwin. This is around 1970. whehre would I escape to, James Baldwin asked. to your country? where would a black man escape to? I write between the assassinations of my friends.
07930 828 755
'the weather obstacle'
13:25 9 JAN 2021
side project — side elevation —
base detail
[drawing of screw (helical) foundations for proposed side extension, showing different approaches to the base of the building with steel I-beams and timber plates as the basis for bolting on timber posts]
fence spacings
||----------------||
137
— infrastructure[] of
animism
Jan jan van – woven
fashion
Essche label
The Life of the others (film
about
spying)
Aluminium case
[drawing of a corner showing depth=57 width=74 height=43.5]
prison radio
lewisham ant[i] raid
network
ear hustle
yED – diagramming software
<) – phytology
sound fridays
[drawings of nozzles or blades with straight / bevelled ends]
13:27 17 JAN 2021
start from discontinuities \
incompletion:
lack of purchase
disconnection
lack of agency
are these the strong points \ channels to follow? [rather than running to compensate, backfill, compensate?]
– all incomplete –
[M+H]
you re on the way to spain – you're in a tunnel coming into king's cross st pancras. the abandoned station 'Do not alight here' — you are arriving
find Tibet documentary
‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾
sashiko image making of ephemeral appearances:
– sounds
– flights
– flocks
darning textiles as a xxxxxx way to document time-based activities in a useful form – half-turned outwards – the way a knitter listens – their posture half-turned (eg between sounds and a light source)
11:55 18 JAN 2021
‾‾‾‾‾‾‾‾‾‾‾
moments just before the train
moves forward
12:27 18 JAN 2021
w_Ramon
pinsimar_2020
21:43 19 JAN 2021
when history is a cold floor sucking the warmth from your bones
some houses have a deadly feel to them – you can't put your finger on what it is
somehting mis-shapen about them – your eye can't rest anywhere without moving away even if you imagine stripping everything away to the bare structure – you're thinking – something will remain that is oppressive to the inhabitants – even to somebody passing through not to talk about people growing up in this ugly house. you d have to destroy this hous[], you think. the person next door has abandoned their
own identical adjoining house, which is actually built as a mirror of this house and continuous with it. unable to destroy it, you think, they abandoned it. all you can do is try to pass through time in it. it does not assist the passage of time. it weighs heavily, with its wood and tiles, its locks and cold floors. maybe it contains memories of summer days but you come to doubt it. despite all the glasses in the cupboard and the steps leading to the sea, and the big dishes, it does not feel like a convivial place. it oppresses you and you[r] spirits sink and can't rise. all you can imagine is to get out of it when the light
returns. at the same time, because you can't point to obvious flaws in the house, exc-ept its ugliness and coldness, you can be accused of exagerating about this house it can also be said the problem with staying in this house must be to do with you. look at all those other guests enjoying this house by the sea in every season. actually you can hear that said already. it is one of the worst things about this house – for you. somehow shutting down any response, it leaves you more alone than before you came. it does not shelter you from the cold – it exposes you to cold and noise. the warmth of the house, if you turn the thermostat to 2+ and sit in all you[r] clothes, is deceptive. the
wide tiled floor[s] are so cold they suck the warmth out through your feet even if you wear thick socks. the cold travels up your legs. the air source heat pump is roaring. and traffic passes less frequently on the road as the night continues. the sun is beneath the earth – far away. when it comes there will be a period of feint light ..around theblurred pines. in time it will come up over the sea and warmth will reach you. you will go out and turn in it – slightly one way and another with your eye[s] closed like in a shower.
○ col de l'Alba Finca
10 min Tortosa
15 min Ampolla
3.5 ha
well
house
○ coll de l'Alba 2
house w. industrial annexe
many olives!
pintoresco
○ Camarles
sound of the highway
– pine trees with
birdsong
Serinus serinus
‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾
V > waterfall > red earth – roca
roca [rosa]
800m along the
river
Molino nuevo
big, river, 2 ruins, 1
usable small building,
olives, N slope,
planes, possible
'industrial
noise'
Torre de compte
v nice masía
olives
partially collapsed
roof
○ junction box for streambox
enclosure
15:21 23 JAN 2022
you're walking through the very quiet forest above Fredes.
09:12 24 JAN 2022
you're staying in a very cold house. it's cold in the morning. every-thing outside [is] covered [in] thick frost.
La Sénia – Rosell – El río
Cervol
– Vallbona – Morella
—
○ [indistinct] sounds of places research project
○ bread + grains
starter project (<) future
oral history farmers)
seeds
sounds of bread, wheats
cultivation,
milli[n]g, etc
key box code: -----------
Carrer del Font 1964
‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾
21:12 26 JAN 2022
how to get onto the roof parking at Barcelona Sants:
○ follow the coordinates to sixt – plaça dels Paises Catalanes,
○ once on the Avinguda de Roma
○ ⇾ middle lane
○ ⇾ up ramp to parking of the
station
⇾ top floor
at roundabout, turn left
⇾ SIXT parking places
22:10 26 JAN 2022
you re lying on your side. you hear a constant sound of like distant tractors or a smoother machinic hum. you know there's no external sound like that here. you're high in the Els Ports mountains in an old house. the night is dark and cold with bright stars. you were also hearing constant sounds – hums, drones, grinding in other places, including other quiet places. you think you are hearing a mix of your self-noise and the feint resonance of different places, activated by distant xx sounds or a collection of small dispersed sounds. you're going back to London tomorrow by train from Barcelona. you set an alarm for 4
13:07 27 JAN 2022
2 pigeons getting ready to fuck at Narbonne. 2 horses found their ways into a vineyard after Sète.
the sun is shining the windmills are turning in the hazy air – the cold late January air.
an old green boat by the bank.
aggregate moving equipment.
you're moving forward swiftly – as in acts of translation, acts of passage. inside the train – lights, coat hooks – long windows – you re in a heightened state of security\sanitation. do not leave your contaminated belongings —they will be destroyed. not blunted by repetition, at each stop the same announcement is announced – the voice is tight, high, slightly constricted. it works its way through 3 languages, hesitating from time to time, garbling a passage, producing drivel – moist distorted sounds – the speaker
re-gathers themselves then and proceeds withthe announcement as if no – it re-establishes the flow.
the land gets greener – the light brown fields are flushed with light green shoots
the almonds were flowering in La Sénia! not yet up higher – blossoms held in the air – ramified – to insects – al with dark xxx stems and branches — well — you've come down from the mou around Boixar – dark crystalline sky – vivid barks and forms – all spread out in sharp revealing light. cold air blew over ev and through hollows and crests of the ground as / where it rose and fell
in the film: bricks by harun fareshi, we see the way machines are introduced into the brick production process – their movements
have an unsettling quality: they have the memory of human movements, but they do not pause or vary in the work they do. this means, from the outset, that the people working with them also cannot pause or vary. from the ouset the people are seen feeding the machines, bringing them shredded clay. in some cases the machines work semi-autonomously: the single controller is visibly at a loss, xx with nothing to do for the camera. in another sequence, a tester strikes extruded roofing tiles with a metal object: some of them sound wrong, we gather: they are thrown into a bin. everything is covered in snow or ice[s] – the branches of the trees – in that passag stretch back there – now you are in a long tunnel of compressing the air in your
ears.
the beginning and the end of the film show self-organised building projects with lots of people involved. sometimes they sing as they work or beat the ground . mxx to compact a floor
coming down from boixar, appearing in Barcelona Sants, you see the organisation of the station's work its services and infrastructures quite clearly before you: the orange jackets of the assistants mathcing the facia of ticket machines and barriers. you entre through the security apparatus. at the same time you are fresh and partly formed, smelling of woodsmoke. you experience the flows afresh. gradually – the train, passing through vast monocultures of the central
plains, snapped in ice, in monochrome – the intensities of the bounded state bore into you, along iwth the semi-sickness from motion – sky without depth – the sounds of transit fill your ears and bones and the void spaces of the body – the traveller bodies as they shoot forward
you re travelling north. you pass out of the ice storm to green and dun fields fringed with dark bare trees in strips and patches.
you had some time to listen to different places — a river valley, a high pine forests, a room at night, a room in the morning – the only light coming in small bright lozenges through slpits and knot-holes in the shutters.
there was no glass in the openings. after the fire burned out, the house returned to near the outside temperature. the floors were stone cold.
[actually, you tried to cross a river in bare feet. you had to turn back. the water seemed to attack you[r] feet, taking them in an agonizing grip. you cried out in pa suffering and you ha went back to the bank. there you sat, patting your hurting feet in the bright sunlight]
the new, new animisms of Achille Mbembe can start to offer ways – tools and lures – for seeking solidarities among m others – how kinds of xx partnerships can be made with fast machines and hard
driving machines
you drove past a rabbit farm. and pig farms. these installations are diabolical installations – let them fail and disappear from the face of the earth
bread
field race of wheats – all mixed up and unstable – that baker starts with a handful of seed on his allotment plot – then he grows that on on small ploughed up areas in the park
then they grind it and
bake it
where the algorithm grinds your bones for bread,
that thing that the math
itself is tainted and
broken – as if counting
cannot be separated from
accounting – the way
grading degrades – Harney and Moten describe a line extending from plantation to assembly to the flows of data in service to the algorithm – how do autonomised, accessed, extracted persons re-assemble in th[ese] hostile environments, they ask – re-affirm the our radical openness to combine –
heading for uk as the test and p[r]oving ground of the m ferocious variants, you feel yourself exhausted, defeated in advance, overcome made monstrous in advance
at the same time you are studying with the others other forms of selves, other permutations and modes differing wildly – how those can be and are being lured and fed – supported and let out
how that can work
is that the matter of
the 'essay' you're supposed
to be working on?
[in pencil]
○ ask some young curators to curate the 10th soundcamp > should 'welcome all' be for this one or that one? – maybe that one
'as I was moving ahead I saw flashesmoments of beau beauty' (jonas mekas)
the radio space \ spaces as places to assemble that are not (primarily \ exclusively) interpersonal — but can be less individualized \ more collective
not to discard the commons as a term,
but take it as an evolving poiont of reference, and shorthand for commoning
[not as ideology – <) eg case studies in Aesthetics of Commoning – which exceed their frames
<) also Negri in there where the O and the U exist as oscillating points?
19:07 27 JAN 2022
you're on a train from king's cross to loughborough junction. you've been travelling since 4 – you're
tired
8:12 28 JAN 2022
radio summer school at Loughborough Junction?
summer skill share? (cp LWA)
renew habits of assembly (Manolo Callahan)
11:27 28 JAN 2022
Welcome All Sounds In
(wasi)
11:46 28 JAN
'the pomegranates of Kandahar'
get some wooden hooks for the top of the stairs
09:40 29 JAN 2022
par[r]okeet high
thinking appearing as sound
thinking coming to you, problematising the subject space, construction of selves, persons, autonomies that trouble us
‾‾‾‾‾‾‾‾‾‾‾‾‾
Alternative design for extension base
19:59 1 FEB 2022
front elevation [doesn't work
because of the
offset of
[drawing of 2 the
helical (screw) hex
foundations piles
and from the
base] wall
‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾
10:47 2 FEB 2022
you are a word \ thinking machine \ animal \ person all the time – so your works \ thinking gets dispersed – extremely distrib-
uted – which is good, you think. you are subject to mix, porosity process, under-cutting of ground. you're tired though – it's wearing – you are worn away
if writing traditionally involves some residual ideas of 'self-collection' writing needed now is about dispersal and maximal generation of faces and hollows for different materials to meet and collect (cp terracing, soil formation in provisional declivities – scoops, bunds, bushes, lines of stones)
writing conventions break down at different scales: punctuation, section, work – in hope\expectation of old\new kinds of things coming in: cp wind catchers, text as carrier bag.Le Guinntext as lure \ condenser \ open
work book, some thing tbc
mm 400 Chania sign
500
□⃥ share Chania sign w Helen +
Glenn +
Maria
□⃥ how–to – G short
instructions
□⃥ ending for Ljubljana publication
□⃥ call screen ppl
– Beautiful Trouble Toolkit
– Art of Hosting
Friends – Croxted
Rd + Park
Mews
‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾
model scale
1" = 2mm > 25:2
building = mode[l]
1"=2.5cm
>> scale = 1:12.5
width of building frame = 2500
> width of mode[l] = 200 mm
re-do ceiling heights
to make ground floor c. 270cm
270/12.5= 21.6ꞈcmon model
19:27 5FEB 2022
Fitzcarraldo essay: Common Times
Listening Group could establish a listing, with signs marking places of acoustic interest \ diversity – icon + short
description
text?
( QR code!)
something else
Southwark Sound Hangout
Southwark Sound Group
or use name of
a venue Southwark Listening Group
xxx Rotherhithe LG
(Sands ?) (Rotherhithe) Peninsula LG
Stave HillSouth London Listening Out Group
St Anthony pieces
– <) ○ bells ringing of their
own accord
○ lower animals
○ Brazil
17:35 11 FEB 2022
2 ppl laughing together
near the edge of the park
(dusk)
21:36 11 FEB 2022
you go to a film. you are unable to make any relation with this film (Tirer sur le pianiste) you sit in a restaurant waiting to go home a deep sense of unrelation settles on you heavily. which you cannot shift in real time. you are tired by urgent voices all around you.
23:30 11 FEB 2022
you re fixing a chair. you re mending
the chair that Pierre attacks you don't know if it can be fixed. youre darning it. you will see
package for M
1
[drawing of a box. l=34. w=26. h=32.]
weight=6.7
kg
2 same dimensions
weight= 6.7kg
15:28 13 FEB 2022
set up a quasi dns server
for .commons
test with eg soundcamp.commons
⇾ check with Max
? + luke
07:44 14 FEB 2022
it's Sam's birthday!
22:19 15 FEB 2022
a rabbit has died. it's the chocolate brown/grey rabbit which was the mother rabbit to the 2 others. now there is 1 rabbit alone. S doesn't know. tomorrow you will send a message. the devotion of the rabbits and – the ways they confide and are open. ppl also conversely open them-selves – taking those rabbits in – S especially. how they
came from the cat rescue. the exposure of animals to each other across differences of ways of life, rates of life – really what is that like. not knowing anything about death you were holding that rabbit, feeling for its warmth or breath or beating – well, the weight of a rabbit is some thing – neither light nor heavy – a rabbit sadness inhabits and will be played out p said the rabbit maybe died of the causes of age – the rabbit showed no signs of age visible to you. hkw used to care for those rabbits. they would chew your shoelaces. some times they didn't go in. the went in the chicken coop. all the animals you couldn't keep – from failures of care –
feeling like a recall and a rehearsal of kinds. but feeling more like a diminishing, a closing. kinds of openness come to us unchosen really – well, that surplus – the weight of a rabbit – quite quiet animals, sometimes you could hear them on the stream at night. breathing hoarsely
you're tired your eyes are closing. P is asleep pierre is scratching at the chair downstairs. S is asleep. M is sleeping maybe in the Hague. S sent a whatsapp gn from Swansea. the night extends. you put the rabbit in a box in the shed. P suggested to put it in S's room to be sure. P is a doctor. something irreducible that belief rebounds from ‐ th rain starts falling.
it started raining in paris on the football. it rained most of the day here. the moorlands allotments were muddy and – the soil slick grey. Mbape ran between 2 defenders and kicked the ball through the goalkeeper's legs, all in the steady rain. D was in a white T shirt in Aix. DD was in a white shirt in Oxford. MS was in a red shirt at E+C. he's going to Paris later in the year. the AC advisors set some deadlines for reporting, for us to work to. you're tired here. P's colleague. P said she was tired. she wanted to retire. that farmer too. to slip from the world before you re wrenched from it it's quite dark quite quiet – not really either. O's mother
died, he said. he postponed speaking. with D and xxx S was 24 on monday. D is expecting to give birth in March. S feeds Pierre very small pieces of cheese. you can hear pierre down stairs attacking the sofa. pierre is unpredictable. he doesn't submit to expectations. that is his gift. xxxxxxxxx that rabbit oc[c]upied a l space, you thought, neither light nor heavy it didn't like to be lifted up. when it dug it came back out of the soil. it existed in the region of the soil surface, breathing in and out. one time it had impaired vision and it moved its head awkwardly to see. that impairment passed. its eye seemed
and soft. you closed it with a thumb but the lid opened again partly. it was dark already outside. it was hard to judge how what it was you
you r[] really tired now
you re falling asleep
23:23
10:44 18 FEB 2022
the storm is blowing hard: cracking branches shaking the top of the house. the microphones overloadclip from time to time. birds singing brightly. open sky. planes over. roaring and twigs crackling. the chicken makes a warbling call. the timber of the enclosure creaks. birds are still flying – diving through patches of air the way a swimmer breaks waves. hard high sheets of sound. sense of materials on verge of
breaking. concern \ elation
>london_camberwell.ogg
ljubljana zine: check:
Expiration (heading), 10
Knepp – to do to take ⇾
[arrow to next 2 pages]
□⃥ make a new streambox with
a link to previous account:
knepp-wilding ?
knepp-sussex ?
2-channel mics or 1 ?
LCC workshop – to order
○ 'helping hands' tool ○ extra
○⃥ 100 k resistors resistors
○⃥ 4.7 µF capacitors 50 4.7
Nichikon (small)
– – Cordial 2 x 0.088mm² microflex
[have this] cable
○⃥ large dribox x 4⃝ or 6
○⃥ small dribox x 10 *⃝ check
○⃥ cable glands x 20 + 10 laterthe
○⃥ red backnuts x 10 order worked
○⃥ m 3.5mm jack (eg HICON HI-J
x 10 35S02)
PUI capsules x 20 [have these] →
primo capsules – ? [have: 14 +
some 172s]
＊ | EE sim | ○
○⃥ cable ties
○ | needle nose pliers |
to organise ＊ ○⃥ power
adaptors
○ sound system x 16
○ spare projectorrouter for
Rebeka
○ power cables
○ ＊ tables ＊ □ hire
van for
monday
knepp – to take
[arrow from previous pages]
→ ○ climbing harness
○ laptop
‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾
Beatrice Dillon
‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾
Dan = aiming to start
Tuesday pm work in 3
then more weeks
= insurance – could be
to confirm
gGrant= check about the
rubbish
and make a plan
– get a key to the big
gates – leave
at reception
– sink ? keep for a
pond
3122 – farm
[ticket with bar code, number over marked in green]
[ticket with bar code, number over marked in green]
16:26 22FEB2022
spring is felt: opening weather. youre on the allotment. you think that rabbit did not survive to be in the opening of spring – melt-water gushing in that film on ice fishing. meiner mutter haar ward nimmer weiß – sounds as xx containers of past presences. tears
Brown inner cover